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87% 
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25% 
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Metadatos

Título
(Extremadamente importante)
National Gallery of Art
El título es demasiado corto (196 píxeles de un máximo de 580 píxeles).Optimizar ahora
No se repite ninguna palabra en el título.
Meta descripción
(Extremadamente importante)
The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. Admission is always free.
La longitud de la meta descripción es óptima (994 píxeles de una longitud máxima de 1000 píxeles).
Rastreabilidad
(Extremadamente importante)
No se detectan problemas para acceder al sitio web.
Redirección canónica
(Importante)
https://www.nga.gov/
La página tiene una redirección canónica correcta.
Idioma
(Poco importante)
Idioma reconocido automáticamente en el contenido: en
Idioma declarado en el código HTML: en
Ubicación geográfica del servidor: Estados Unidos de América
El idioma ha sido correctamente declarado en el código HTML: en.
Enlaces Alternate/Hreflang
(Poco importante)
No se ha encontrado ningún enlace alternativo (alternate) en esta página.
Otras Metaetiquetas
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No se detecta ninguna metaetiqueta de paginación rel next en la página.
No se detecta ninguna metaetiqueta de paginación rel prev en la página.
Dominio
(Poco importante)
El dominio no es un subdominio.
La longitud del nombre del dominio es buena.
El dominio no contiene caracteres especiales.
URL de la página
(Poco importante)
No se detecta ningún parámetro dinámico en la URL.
No se detecta ningún ID de sesión en la URL.
La URL no contiene demasiados subdirectorios.
Codificación de caracteres
(Poco importante)
La codificación de caracteres (UTF-8) ha sido declarada correctamente.
Doctype
(Deseable)
La etiqueta doctype HTML 5 está configurada correctamente.
La declaración del doctype se ubica al inicio del código HTML.
Favicon
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El favicon está enlazado correctamente.

Metaetiquetas

NombreValor
descriptionThe National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. Admission is always free.
GeneratorDrupal 10 (https://www.drupal.org)
MobileOptimizedwidth
HandheldFriendlytrue
viewportwidth=device-width, initial-scale=1.0
apple-mobile-web-app-titleNational Gallery of Art
langen
twitter:cardsummary
twitter:titleNational Gallery of Art
twitter:descriptionThe National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. Admission is always free.
twitter:imagehttps://www.nga.gov/sites/default/files/styles/opengraph__focal_point_scale_and_crop/public/2025-04/meta-home-1200x627-3.jpg?h=2240b8e9&itok=vxftfVEn
og:urlhttps://www.nga.gov
og:titleNational Gallery of Art
og:descriptionThe National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. Admission is always free.
og:imagehttps://www.nga.gov/sites/default/files/styles/opengraph__focal_point_scale_and_crop/public/2025-04/meta-home-1200x627-3.jpg?h=2240b8e9&itok=vxftfVEn
og:image:urlhttps://www.nga.gov/sites/default/files/styles/opengraph__focal_point_scale_and_crop/public/2025-04/meta-home-1200x627-3.jpg?h=2240b8e9&itok=vxftfVEn
charsetutf-8

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Calidad de la página

Contenido
(Extremadamente importante)
Hay 4 textos duplicados en esta página:
  • Texto duplicado 1: Our extraordinary collection brings together centuries of masterpieces...
  • Texto duplicado 2: Peek behind the scenes with stories and videos that reveal the people,...
El número total de palabras en la página es bueno: 1374 palabras.
Un 25.3% del contenido está constituido por palabras vacías.
Las palabras clave del título también se repiten en el texto del cuerpo.
Las palabras del encabezado H1 también aparecen en el cuerpo del texto.
La página contiene un listado, lo que indica una buena estructuración del contenido.
Se han encontrado 22 párrafos en esta página.
El contenido en formato texto de esta página es óptimo.
No se detecta ningún placeholder de texto ni imagen.
La cantidad media de palabras por frase es buena: 19.03 palabras.
Frames
(Extremadamente importante)
Esta página no utiliza ningún frameset.
Optimización para móviles
(Poco importante)
El valor de la etiqueta viewport es correcto: (width=device-width, initial-scale=1.0).
Al menos un icono de Apple-Touch ha sido especificado.
Etiquetas Bold y Strong
(Poco importante)
El uso de etiquetas de negritas en esta página es óptimo. Te recomendamos emplear hasta 27 etiquetas de negritas en una página.
Optimización de imágenes
(Poco importante)
No se detecta ninguna descripción del atributo ALT en 23 imágenes. El contenido de los atributos ALT también es evaluado como texto por los buscadores y es muy importante para la búsqueda de imágenes.
Redes Sociales
(Deseable)
Esta página está perfectamente optimizada para las redes sociales.
Etiquetas markup adicionales
(Deseable)
No se detecta ninguna etiqueta markup (de Schema.org) adicional.
HTTPS
(Poco importante)
El sitio utiliza HTTPS para transferir datos de forma segura.
Todos los archivos incluidos se transfieren a través de HTTPS.

Lista de medios

URLAtributo ALTTítulo
...0927-001-4k.jpg?h=ac778ff2&itok=CsL4ROa4Carece de atributo ALT
...0,1105,13828,9228/!950,634/0/default.jpgA sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”
...rtle_yellow.jpg?h=9bc00a92&itok=vDGvfLIuCarece de atributo ALT
...0927-001-4k.jpg?h=ac778ff2&itok=CsL4ROa4Carece de atributo ALT
...0,1105,13828,9228/!950,634/0/default.jpgA sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”
...rtle_yellow.jpg?h=9bc00a92&itok=vDGvfLIuCarece de atributo ALT
...0927-001-4k.jpg?h=ac778ff2&itok=CsL4ROa4Carece de atributo ALT
...0,1105,13828,9228/!950,634/0/default.jpgA sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”
...rtle_yellow.jpg?h=9bc00a92&itok=vDGvfLIuCarece de atributo ALT
...000/1,0,3997,2668/!950,634/0/default.jpgCarece de atributo ALT
...0,1105,13828,9228/!950,634/0/default.jpgA sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”
...12.00.46_pm.png?h=d42f23e6&itok=XHaSqOmMCarece de atributo ALT
...0/185,0,3629,2422/!950,634/0/default.jpgCarece de atributo ALT
...t1600x880__jpg/4646476.jpg?itok=PQnuVwmaSusan Stockdale courtesy of the author
...,1861,22180,14802/!950,634/0/default.jpgA windmill stands on a promontory cutting into a waterway under a partially stormy sky in this square landscape painting.
...space-600__jpg/2305596.jpg?itok=FF1seE2UA kid playing with toys at a First Saturday event at the National Gallery of Art.
...-making-2__jpg/2305891.jpg?itok=sYCsunHiGroups of people sitting a multiple tables making arts and crafts.
...t1600x880__jpg/4646481.jpg?itok=PQnuVwmaSusan Stockdale courtesy of the author
...,542,32438,18246/!1536,864/0/default.jpgThis horizontal painting shows a group of eight light-skinned musicians and onlookers gathered closely around a rectangular, carpet-covered table. The front edge of the table runs parallel to the bottom edge of the painting, and seems close to us. Shown from about the waist up, the men and women’s vivid lapis-blue, coral-red, buttercup-yellow, lilac-purple, and moss-green garments fall in crisp folds. Bright reflections on the fabric suggest a satin-like material. Two women wear feathers in their hair and one man’s hat is plumed. One man, wearing crimson red and black, sits with his back to us to our left on the near side of the table. He holds the neck of a bass viol, about the size of a cello, with his left hand, and points to pages of an open music book with the bow in his right hand. The other people cluster on the far side of the table. A man to the left plays a violin; a woman at the center plays a guitar-sized bandora, and a woman to our right plays a lute. The musicians, along with a man who leans over the table from between the two women, look down at the music books. A young man behind the woman at the center holds up a glass of pale liquid with his right hand as he touches his left forefinger to his smiling lips. A man and woman stand close together in the background to our right, in the top right corner of the canvas.
...12.21.47_pm.png?h=0d3ebd37&itok=hCXhOoMACarece de atributo ALT
...12.21.47_pm.png?h=0d3ebd37&itok=hCXhOoMACarece de atributo ALT
...bf0-31a66e9e98fa/full/950,/0/default.jpgThis square portrait shows the head and shoulders of a young woman in front of a spiky bush that fills much of the background except for a landscape view that extends into the deep distance to our right. The woman's body is angled to our right but her face turns to us. She has chalk-white, smooth skin with heavily lidded, light brown eyes, and her pale pink lips are closed. Pale blush highlights her cheeks, and she looks either at us or very slightly away from our eyes. Her brown hair is parted down the middle and pulled back, but tight, lively curls frame her face. Her hair turns gold where the light shines on it. She wears a brown dress, trimmed along the square neckline with gold. The front of the bodice is tied with a blue ribbon, and the lacing holes are also edged with gold. A sheer white veil covers her chest and is pinned at the center with a small gold ball. The bush fills the space around her head with copper-brown, spiky leaves. A river winds between trees and rolling hills in the distance to our right. Trees and a town along the horizon, which comes about halfway up the painting, is pale blue under an ice-blue sky.
...ce0-fb975c731dc1/full/950,/0/default.jpgA woman and winged angel, both with pale, peach skin, are situated in a church interior in this tall, narrow painting. To our left, the angel has long, blond, curly hair, smooth skin, and is smiling. The wings are outlined in royal blue, and they blend from blue to green to yellow to crimson. The angel holds one hand, closer to us, up at chest height with the index finger subtly pointing upward. Holding a long scepter in the other hand, the angel angles their body toward the woman to our right. The angel wears a gold jewel and pearl-encrusted crown and a jeweled long, voluminous robe in scarlet-red and shimmering gold brocade. The neck and along the opening down the front are lined with pearls and jewels. The angel looks toward the woman, who wears a royal-blue dress tied with a red belt at the high waist. Her long brown hair is tied back but one tendril falls over her left shoulder, to our right. She kneels facing us with her raised hands facing outward. Her head is tipped a bit to our left, and she looks up and into the distance to our right with lips slightly parted. She kneels behind a book lying open on a low table. A vase of white lilies and a red cushion lies on the floor in front of the table, close to us. The floor is decorated with people and scenes outlined in black and set into square panels, as if inlaid with wood. The church behind and above the people has a row of tall, narrow arches with bull’s-eye glass windows. A walkway lined with columns runs above the arches, and sunlight comes in through arched windows under the flat wood ceiling. A white dove flies toward the woman on gold lines from a window at the upper left of the painting. Latin words painted in gold capital letters are exchanged between the people. The angel says, “AVE GRA PLENA.” The letters of the woman’s response are painted upside down and backward: “ECCE ANCILLA DNI.”
...fb9-73e5ce2012b2/full/950,/0/default.jpgA man with pale peach skin and dark hair wears a military uniform and stands in front of a desk in this vertical portrait painting. He nearly fills the composition so seems close to us, and he looks directly at us. His body is angled slightly to our left and he tucks his right hand, on our left, flat against his chest between the buttons of his jacket. His navy-blue waistcoat is white along the front where it is fastened with brass buttons along his chest. The jacket has red cuffs, gold epaulets on the shoulders, and three medals affixed to the chest. White britches end just below the knee, and white stockings covering his calves are wrinkled at the ankle above black shoes with brass buckles. A candle burns low in a lamp on an ornately carved and gilded desk behind the man. Books and papers are piled on the desk to our right. More papers and a thin sword rest on a chair in front of the desk to our right. The chair is also carved and gilded, and is upholstered with scarlet-red fabric decorated with gold bees. The legs of the chair push back the forest-green carpet underfoot. A tall clock stands on the wall opposite us and reads 4:13. A few capital letters are written on a scroll of paper on the chair, “COD.” The artist’s name is also written as if printed on a scroll of paper on the floor behind the desk to our left: “LVD.CI.DAVID OPVS 1812.”
...85a-ba2cfc3965cd/full/950,/0/default.jpgA small brown dog and a pale-skinned little girl wearing a white dress sit in matching celestial-blue armchairs in this horizontal painting. To our right, the girl sits with her legs angled to our left. She slumps back with her legs spread, and her left elbow, on our right, is bent so that hand rests behind her head. Her other elbow is draped over the armrest. Her dark brown hair appears to be pulled back, and tawny brown eyes under faint brows gaze down and to our left. She has a small nose set in a round face and a coral-pink mouth closed in a straight line. Her white dress has touches of gray, soft pink, and powder blue with a wide plaid sash around her waist. The pine-green, black, and sapphire-blue sash is accented with overlapping vertical and horizontal lines of burnt orange, light blue, and mustard yellow. Her socks match her sash and come up to mid-calf, over black shoes with silver buckles. The small dog has scruffy black fur and a russet-brown face. It lies curled in the chair opposite the girl, to our left, with its eyes closed and ears pricked up. The rounded backs of the upholstered chairs curve down to become the low arms. The vivid and light blue fabric of the chairs is scattered with loosely painted strokes of avocado and forest green, peach pink, cherry red, plum purple, and white. Beyond the chairs closest to us is another armchair and an armless loveseat, both covered with the same fabric. They sit at the back of the room, in a corner flooded with silvery light coming through four windows on the right side. The furniture is arranged on a peanut-brown floor. The artist signed in the lower left, “Mary Cassatt.”
...2fe-fabe850c62a6/full/950,/0/default.jpgCarece de atributo ALT
...8724d/0,0,21687,28273/950,/0/default.jpgShown from the chest up, a man with short, orange hair and green-tinted, pale skin looks at us, wearing a vivid blue painter's smock in this vertical portrait painting. His smock and the background are painted with long, mostly parallel strokes of cobalt, azure, and lapis blue. His shoulders are angled to our left, and he looks at us from the corners of his blue eyes. He has a long, slightly bumped nose, and his lips are closed within a full, rust-orange beard. He holds a palette and paintbrushes in his left hand, in the lower left corner of the canvas. The background is painted with long brushstrokes that follow the contours of his head and torso to create an aura-like effect.
...8055f3d9df5__900/full/950,/0/default.jpgCarece de atributo ALT
...2484fdfdce4__900/full/950,/0/default.jpgShown from the knees up, a man with light skin shaded with sage green sits in a carrot-orange, high-backed chair, looking at us in this stylized, vertical portrait. Brown hair sweeps across his forehead and his interlaced fingers rest on his head so his elbows splay to the sides. The green shading is especially noticeable in the contours of his face and the underside of his thin arms. One black eyebrow is slightly arched over pale silver eyes. His pink lips are closed in a straight line and there is the suggestion of a cleft in his chin. He wears a white tee shirt and khaki pants, and his knees are relaxed open. His chest is slightly sunken in as he leans into the chair. The chair and his body and features are outlined in black. Brushstrokes are noticeable throughout, and the background is especially loosely painted. Areas of watery lavender purple, pale blue, and tan suggest the structure of a room. Light falls onto the man from our left.
...8c91b80fea9__900/full/950,/0/default.jpgMade with mostly square or rectangular pieces of patterned paper in shades of asparagus and moss green, sky blue, tan, and ash brown, a man with brown skin sits in the center of this horizontal composition with a second person over his shoulder, in the upper left corner of this collage. The man’s facial features are a composite of cut-outs, mostly in shades of brown and gray, as if from black-and white photographs, and he smokes a cigarette. He sits with his body angled slightly to our right and he looks off in that direction, elbows resting on thighs and wrists crossed. His button-down shirt and pants, similarly collaged, are mottled with sky blue and white. One foot, on our right, is created with a cartoonish, shoe-shaped, black silhouette. The paper used for the other foot seems to have been scraped and scratched, creating the impression that that foot is bare. A tub, made of the same blue and white paper of the man’s suit, sits on the ground to our left, in the lower corner. The man sits in front of an expanse made up of green and brown pieces of paper patterned with wood grain, which could be a cabin. In a window in the upper left, a woman’s face, her features similarly collaged, looks out at us. One dark hand, large in relation to the people, rests on the sill with the fingers extended down the side of the house. The right third of the composition is filled collaged scraps of paper patterned to resemble leafy trees. Closer inspection reveals the form of a woman, smaller in scale than the other two, standing in that zone, facing our left in profile near a gray picket fence. She has a brown face, her hair wrapped in a patterned covering, and she holds a watermelon-sized, yellow fruit with brown stripes. Several blue birds and a red-winged blackbird fly and stand nearby. Above the woman and near the top of the composition, a train puffs along the top of what we read as the tops of trees. The artist signed the work in black letters in the upper right corner: “romare bearden.”
...7d73d61aad2__900/full/950,/0/default.jpgThe spiraling whorls of a nearly round, pearl-white shell fills this square painting. The inner edges of the shell’s whorls are shaded with pale spring green, especially to our right, and the innermost spiral is pale pink. The outer lip, that is, the open end of the shell, faces down to our right. The shell sits against a stone-gray background and casts a shadow to our left.
...043-6dedb384bdc8/full/950,/0/default.jpgShown from about the knees up, a pale, smooth-skinned woman in a fur-lined yellow jacket looks out at us as she sits writing at a table in this vertical painting. The woman’s body faces the table to our left. She turns her head to gaze at us from the corners of her dark gray eyes under faint brows. She has a wide nose, and her pale lips are closed. Her light brown hair is pulled back and held in place with white bows, and gleaming teardrop-shaped pearl earrings dangle from her ears. Her lemon-yellow jacket is trimmed with ermine fur, which is white with black speckles, at the cuffs and down the front opening. A full, elephant-gray skirt falls to the floor beneath the jacket. Both hands rest on the table, and she holds a quill in her right hand, farther from us, on a piece of paper. She leans forward in her wooden chair. The back panel of the chair is covered in black fabric and lined with brass studs. Two gilded finials, carved into lions’ heads, face the woman’s back with mouths open. The table is covered with a celestial-blue cloth crumpled near the left edge of the canvas. On the table are a strand of pearls, a pale yellow ribbon, and a black box with three brown panels studded with pearls around silver keyholes. Two pewter gray vessels are visible just beyond it, in front of a second chair, which faces us. On the putty-gray wall behind the woman, a framed painting hangs in the upper left quadrant of the composition. The painting-within-the painting is done in muted tones of brown and shows a cello and other unidentifiable objects.
...6b8-630c04eb46d6/full/950,/0/default.jpgThis nearly square, abstract painting is filled with circles within circles, like nested rings, each of a single bright color against the ivory white of the canvas. Each ring is made up of a series of short, rectangular dashes, and some bands are narrower while others are a bit wider. The majority of the rings are crimson and brick red, and they are interspersed with bands of lapis blue, army green, and pale pink. One of two pumpkin-orange bands is the smallest, innermost ring at the center. There is one aqua-blue colored ring just inside a pale, shell-white ring, which is the first to get cropped by the edges of the canvas. A few red, green, and blue rings beyond the white band are only seen at the corners of the canvas.
...a93-d462e13c58ee/full/950,/0/default.jpgCarece de atributo ALT
...tvibescard1.png?h=3dc57471&itok=vQ6CR3PMCarece de atributo ALT
..._yellow_2_0.png?h=06ac0d8c&itok=4ZPNu7qwCarece de atributo ALT
...a6/0,0,12666,8452/!950,634/0/default.jpgFrom low on a hillside, we look up at a light-skinned woman and boy standing in tall grass against a sunny blue sky in this vertical painting. The woman stands at the center of the composition, and the moss-green parasol she holds over her head almost brushes the top edge of the canvas. Her body faces our left but she turns her head to look at us. Her long dress is painted largely with strokes of pale blue and gray with a few touches of yellow. Her voluminous skirts swirl around her legs to our left. She holds the parasol with both hands, and her brown hair is covered with a hat. Long strokes of white paint across her face suggest a veil fluttering in the breeze. The tall grass she stands in is dotted with buttercup yellow and plum purple, and she casts a long diagonal shadow along the grass toward us. The young boy seems to stand on the other side of the hill, since the grass and flowers comes up to his waist. He wears a white jacket and pale yellow straw hat. His arms are by his sides, and he seems to look off into the distance to our left. A sunny blue sky behind the people is dotted with bright blue clouds. The painting is created with loose brushstrokes throughout, and they are especially choppy in the clouds. The artist signed and dated the painting in royal-blue letters at the lower right: “Claude Monet 75.”
...,6926,17450,9815/!1536,864/0/default.jpgDozens of people line up around a shed-like structure and around stone ruins to kneel before a woman and baby at the lower center of this circular painting. All the people have pale skin. The crowd gathers along a pathway that winds around a rocky mountain at the top middle of the composition. Most of the people are on foot but a few ride horses or camels. The line of people curves around and through an arched opening in a stone ruin to our left. Sitting at the center of the painting, behind the woman and baby, Mary and Jesus, the structure is open at the front and has a triangular pitched roof. Some of the people, including the three closest to Mary and Jesus, wear elegant, gold-trimmed clothing. Others wear simple tunics, and several people standing along the ruins in the middle distance wear only white loincloths. Ages of the people range from young and cleanshaven to older and bearded. Their costumes are mostly pale yellow, coral orange, crimson red, shell pink, or sky blue. Some people raise their heads and hands while others hold hands to their chests and close their eyes. Mary wears a pale blue robe over a blush-pink dress. Jesus is nude and an older man standing nearby wears an apricot-colored robe over a blue tunic. The older man, Mary, and Jesus have gold halos. A peacock and two other birds stand on the roof of the manger, which shelters an ox, ass, and horses.
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...erxlittlebeasts_ngagov.jpg?itok=PBlonxHGJoris Hoefnaegel's watercolor drawing of a stag beetle
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...thumb_1620x1080_notext.png?itok=wll48bu_A photograph of a woman in front of Peter Paul Rubens' Daniel in the Den of Lions
...16da2/0,0,26900,24642/950,/0/default.jpgSix women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”
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...anner_back_forth_150_0.png?itok=eqeShd4jA collage of Titian's Venus with a Mirror, Rozeal's afro.died.T, Cezanne's Boy in a Red Waistcoat, and Titian's Ranuccio Farnese
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Estructura de los encabezados

Jerarquía de encabezadosContenido
H1 Global Search
H2 Visit
H2 Exhibitions & Events
H2 Art & Artists
H2 Directions
H2 Utility
H2 Visit Texto duplicado
H2 Exhibitions & Events Texto duplicado
H2 Art & Artists Texto duplicado
H2 Utility Texto duplicado
H2 Visit Texto duplicado
H2 Exhibitions & Events Texto duplicado
H2 Art & Artists Texto duplicado
H2 Utility Texto duplicado
H2 Directions Texto duplicado
H2 Top Searches:
H2 National Gallery of Art
H2 Find out about our free talks, tours, exhibitions, and more.
H2 Discover our artworks.
H2 Discover our artworks. Texto duplicado
H2 A few of our favorites
H2 More ways to explore
H2 Art uncovered
H2 Art uncovered Texto duplicado
H2 Site Footer
H2 Subscribe
H3 Only have an hour to spend?
H3 Featured exhibition:
H3 Artle
H3 Only have an hour to spend? Texto duplicado
H3 Featured exhibition: Texto duplicado
H3 Artle Texto duplicado
H3 Only have an hour to spend? Texto duplicado
H3 Featured exhibition: Texto duplicado
H3 Artle Texto duplicado
H3 : Welcome to the nation’s art museum.
H3 : Little Beasts
H3 Visiting with kids?
H3 Films: It Is Night in America
H3 Talks & Conversations: Storytime: Spectacular Spots
H3 Talks & Conversations: The Art of Looking: Rembrandt van Rijn, The Mill
H3 Hands-On Activities: Kids' Play Space
H3 Hands-On Activities: Drop-In Artmaking
H3 Talks & Conversations: Storytime: Spectacular Spots Texto duplicado
H3 Must-sees
H3 Must-sees Texto duplicado
H3 ArtVibes
H3 Play Artle
H3 Download free images
H3 Stories: West to East
H3 Stories: West to East Texto duplicado
H3 Video: He Painted Bugs Like Jewels — And Changed Science
H3 Article: Summer in Art: Dive into Scenes of the Season
H3 Video: Look Closer: The Art of Devotion
H3 Interactive Article: Layers of Power in "The Feast of the Gods"
H3 Video: Oddly Satisfying: Cakes Inspired by Wayne Thiebaud
H3 Interactive Article: Four Paintings Speak to Each Other Across Space and Time
H3 Hours
H3 Locations
H3 Newsletter Sign Up Form
H3 Follow us
H3 Footer Primary Menu
H3 Legal Links
H4 West Building
H4 East Building
H4 Sculpture Garden
H4 Social Media
H5 Autocomplete Suggestions
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Hay 11 enlaces externos en esta página.
EnlacePropiedadesTexto ancla
https://www.nga.gov/Texto ancla Skip to main content
https://www.nga.gov/Sin texto
https://www.nga.gov/Sin texto
https://www.nga.gov/visitPlan Your Visit
https://www.nga.gov/accessibilityAccessibility
/visit/visiting-kidsVisiting with Kids
/visit/food-drinkFood and Drink
https://www.nga.gov/visit/shopsShops
/visit/tours-guidesTours, Guides, and Maps
/visit/must-seesWe've got you covered.
https://www.nga.gov/exhibitionsExhibitions
https://www.nga.gov/calendarCalendar
/calendar?audience[103001]=103001Kid-Friendly Events
/exhibitions/little-beasts-art...Now on view
https://www.nga.gov/artworksArtworks
https://www.nga.gov/artistsArtists
https://www.nga.gov/storiesStories
/games-and-interactivesGames and Interactives
/educational-resourcesEducational Resources
https://www.nga.gov/researchResearch
https://www.nga.gov/artleToday's puzzle
https://www.nga.gov/directionsDirections
https://shop.nga.gov/Externo Subdominio Shop
https://www.nga.gov/supportSupport
https://www.nga.gov/Sin texto
https://www.nga.gov/visitTexto duplicado Plan Your Visit
https://www.nga.gov/accessibilityTexto duplicado Accessibility
/visit/visiting-kidsTexto duplicado Visiting with Kids
/visit/food-drinkTexto duplicado Food and Drink
https://www.nga.gov/visit/shopsTexto duplicado Shops
/visit/tours-guidesTexto duplicado Tours, Guides, and Maps
/visit/must-seesTexto duplicado We've got you covered.
https://www.nga.gov/exhibitionsTexto duplicado Exhibitions
https://www.nga.gov/calendarTexto duplicado Calendar
/calendar?audience[103001]=103001Texto duplicado Kid-Friendly Events
/exhibitions/little-beasts-art...Texto duplicado Now on view
https://www.nga.gov/artworksTexto duplicado Artworks
https://www.nga.gov/artistsTexto duplicado Artists
https://www.nga.gov/storiesTexto duplicado Stories
/games-and-interactivesTexto duplicado Games and Interactives
/educational-resourcesTexto duplicado Educational Resources
https://www.nga.gov/researchTexto duplicado Research
https://www.nga.gov/artleTexto duplicado Today's puzzle
https://shop.nga.gov/Externo Subdominio Texto duplicado Shop
https://www.nga.gov/supportTexto duplicado Support
https://www.nga.gov/visitTexto duplicado Plan Your Visit
https://www.nga.gov/accessibilityTexto duplicado Accessibility
/visit/visiting-kidsTexto duplicado Visiting with Kids
/visit/food-drinkTexto duplicado Food and Drink
https://www.nga.gov/visit/shopsTexto duplicado Shops
/visit/tours-guidesTexto duplicado Tours, Guides, and Maps
/visit/must-seesTexto duplicado We've got you covered.
https://www.nga.gov/exhibitionsTexto duplicado Exhibitions
https://www.nga.gov/calendarTexto duplicado Calendar
/calendar?audience[103001]=103001Texto duplicado Kid-Friendly Events
/exhibitions/little-beasts-art...Texto duplicado Now on view
https://www.nga.gov/artworksTexto duplicado Artworks
https://www.nga.gov/artistsTexto duplicado Artists
https://www.nga.gov/storiesTexto duplicado Stories
/games-and-interactivesTexto duplicado Games and Interactives
/educational-resourcesTexto duplicado Educational Resources
https://www.nga.gov/researchTexto duplicado Research
https://www.nga.gov/artleTexto duplicado Today's puzzle
https://shop.nga.gov/Externo Subdominio Texto duplicado Shop
https://www.nga.gov/supportTexto duplicado Support
https://www.nga.gov/directionsTexto duplicado Directions
/search?keywords=Free imagesFree images
/search?keywords=Van GoghVan Gogh
/search?keywords=LandscapeLandscape
/search?keywords=National Gall...National Gallery Nights
/search?keywords=MatisseMatisse
/artwork-searchAdvanced Artwork Search
https://www.nga.gov/node/910536National Gallery of Art
https://www.nga.gov/visitPlan your visit
/exhibitions/little-beasts-art...Texto duplicado Now on view
/visit/visiting-kidsVisiting with kids? Make the most of your visit.
/calendar/land-sea-and-lens-cr...Films: It Is Night in America
/calendar/storytime-spectacula...Talks & Conversations: Storytime: Spectacular Spots
/calendar/art-looking-rembrand...Talks & Conversations: The Art of Looking: Rembrandt van Rijn, The Mill
/calendar/first-saturdays/kids...Hands-On Activities: Kids' Play Space
/calendar/first-saturdays/drop...Hands-On Activities: Drop-In Artmaking
/calendar/first-saturdays/stor...Texto duplicado Talks & Conversations: Storytime: Spectacular Spots
https://www.nga.gov/calendarSee the calendar
https://www.nga.gov/artworksExplore by artist, topic, period, and more
/visit/must-seesMust-sees Let us guide you to the highlights that visitors love most.
https://www.nga.gov/artworksTexto duplicado Explore by artist, topic, period, and more
/visit/must-seesTexto duplicado Must-sees Let us guide you to the highlights that visitors love most.
/artworks/50724-ginevra-de-ben...IMG-ALT This square portrait shows the head and shoulders of a young woman in front of a spiky bush that fills much of the background except for a landscape view tha...
/artworks/50724-ginevra-de-ben...Ginevra de' Benci [obverse]
/artworks/46-annunciationIMG-ALT A woman and winged angel, both with pale, peach skin, are situated in a church interior in this tall, narrow painting. To our left, the angel has long, blond...
/artworks/46-annunciationThe Annunciation
/artworks/46114-emperor-napole...IMG-ALT A man with pale peach skin and dark hair wears a military uniform and stands in front of a desk in this vertical portrait painting. He nearly fills the compo...
/artworks/46114-emperor-napole...The Emperor Napoleon in His Study at the Tuileries
/artworks/61368-little-girl-bl...IMG-ALT A small brown dog and a pale-skinned little girl wearing a white dress sit in matching celestial-blue armchairs in this horizontal painting. To our right, th...
/artworks/61368-little-girl-bl...Little Girl in a Blue Armchair
/artworks/110292-little-dancer...Sin texto
/artworks/110292-little-dancer...Little Dancer Aged Fourteen
/artworks/106382-self-portraitIMG-ALT Shown from the chest up, a man with short, orange hair and green-tinted, pale skin looks at us, wearing a vivid blue painter's smock in this vertical portrai...
/artworks/106382-self-portraitSelf-Portrait
/artworks/213238-self-portraitSin texto
/artworks/213238-self-portraitTexto duplicado Self-Portrait
/artworks/73438-hartleyIMG-ALT Shown from the knees up, a man with light skin shaded with sage green sits in a carrot-orange, high-backed chair, looking at us in this stylized, vertical po...
/artworks/73438-hartleyHartley
/artworks/119052-tomorrow-i-ma...IMG-ALT Made with mostly square or rectangular pieces of patterned paper in shades of asparagus and moss green, sky blue, tan, and ash brown, a man with brown skin s...
/artworks/119052-tomorrow-i-ma...Tomorrow I May Be Far Away
/artworks/70183-shell-no-iIMG-ALT The spiraling whorls of a nearly round, pearl-white shell fills this square painting. The inner edges of the shell’s whorls are shaded with pale spring green...
/artworks/70183-shell-no-iShell No. I
/artworks/46437-lady-writingIMG-ALT Shown from about the knees up, a pale, smooth-skinned woman in a fur-lined yellow jacket looks out at us as she sits writing at a table in this vertical pain...
/artworks/46437-lady-writingA Lady Writing
/artworks/195519-pansies-washi...IMG-ALT This nearly square, abstract painting is filled with circles within circles, like nested rings, each of a single bright color against the ivory white of the ...
/artworks/195519-pansies-washi...Pansies in Washington
/artworks/225617-nautilus-cupSin texto
/artworks/225617-nautilus-cupNautilus Cup
https://www.nga.gov/artvibesArtVibes
https://www.nga.gov/artle.htmlSubdominio Play Artle
/artworks/free-images-and-open...Download free images
https://www.nga.gov/storiesExplore our stories
/stories/articles/west-eastStories: West to East Discover how American artists are inspired by the places they call home.
https://www.nga.gov/storiesTexto duplicado Explore our stories
/stories/articles/west-eastTexto duplicado Stories: West to East Discover how American artists are inspired by the places they call home.
/stories/videos/he-painted-bug...Video: He Painted Bugs Like Jewels — And Changed Science
/stories/articles/summer-art-d...Article: Summer in Art: Dive into Scenes of the Season
/stories/videos/look-closer-ar...Video: Look Closer: The Art of Devotion
/stories/articles/layers-power...Interactive Article: Layers of Power in "The Feast of the Gods"
/stories/videos/oddly-satisfyi...Video: Oddly Satisfying: Cakes Inspired by Wayne Thiebaud
/stories/articles/four-paintin...Interactive Article: Four Paintings Speak to Each Other Across Space and Time
https://www.nga.gov/Texto duplicado National Gallery of Art
IMG-ALT Home
https://www.google.com/maps/se...Externo Subdominio West Building 6th St and Constitution Ave NW Washington, DC 20565
https://www.google.com/maps/se...Externo Subdominio East Building 4th St and Constitution Ave NW Washington, DC 20565
https://www.google.com/maps/se...Externo Subdominio Sculpture Garden 7th St and Constitution Ave NW Washington, DC 20565
https://www.facebook.com/natio...Externo Subdominio Facebook
https://www.instagram.com/ngadc/Externo Subdominio Instagram
https://www.pinterest.com/ngadc/Externo Subdominio Pinterest
https://x.com/ngadcExterno Twitter
https://www.youtube.com/user/N...Externo Subdominio YouTube
https://www.nga.gov/about-usAbout Us
https://www.nga.gov/pressPress
/visit/what-to-expect/contact-usContact Us
https://www.nga.gov/visitTexto duplicado Plan Your Visit
https://www.nga.gov/calendarTexto duplicado Calendar
/calendar?tab=toursToday's Tours
https://www.nga.gov/accessibilityTexto duplicado Accessibility
/calendar?tab=exhibitionsTexto duplicado Exhibitions
https://www.nga.gov/donate-nowDonate
/support/national-membershipMembership
/employment-opportunitiesOpportunities
/artworks/free-images-and-open...Free Images for Download
/artwork-search?keywordsArtwork Search
/research/centerThe Center
/research/conservationConservation
/research/libraryLibrary
/research/archivesArchives
/research/publicationsPublications
/terms-and-noticesNotices
/privacy-policyPrivacy Policy

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