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...04D4EA2B1E312Ep.jpg?cdn=dt08082022032344 | David Benedict | |
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...685985CE9B055Ep.jpg?cdn=dt04242020061542 | Lyn Gardner | |
...5D2A2F4EDB8374p.jpg?cdn=dt01222025121449 | Matthew Hemley | |
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...509DB8CBFA1026p.jpg?cdn=dt10112022013452 | Natasha Tripney | |
...DF724FAB9E38D3p.jpg?cdn=dt04222025101813 | Irvine Iqbal | |
.../DAM/336/David-Byrne1_LargeLandscape.jpg | David Byrne | David Byrne |
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...2/Luke-Thallon---The-Stage1_Standard.jpg | Luke Thallon | Luke Thallon |
...t.net/AcuCustom/Sitename/DAM/331/sq1.jpg | Alistair Spalding and Britanni | Alistair Spalding and Britannia Morton |
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...331/Triple-montage-template-31_Thumb.jpg | ‘They gave me carte blanche’: | ‘They gave me carte blanche’: the theatre directors going beyond the UK to work |
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...331/Triple-montage-template-31_Thumb.jpg | ‘They gave me carte blanche’: | ‘They gave me carte blanche’: the theatre directors going beyond the UK to work |
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...tical-montage-template-copy-22_Thumb.jpg | Curating a theatre season: ‘It | Curating a theatre season: ‘It takes plenty of sweat and tears’ |
...ne-2024_2024_Web-use1_LargeLandscape.jpg | Sustainable Stages: How can th | Sustainable Stages: How can theatre respond to the planetary emergency? |
...ter-Lownie-photo-Beth-Chalmers_Thumb.jpg | Two Destination Language: ‘As | Two Destination Language: ‘As a company, we’ve always been interested in difference’ |
...bb.-Credit---Michael-Shelford1_Thumb.jpg | Steven Webb on his seven-year | Steven Webb on his seven-year Book of Mormon stint and navigating post-lockdown audiences |
...M/337/KATE-FLEETWOOD-Headshot1_Thumb.jpg | Kate Fleetwood: Touring is so | Kate Fleetwood: Touring is so important for young actors |
....-Photo-credit-Oliver-Rosser-Feast-C.jpg | My favourite play: Ian McKelle | My favourite play: Ian McKellen |
...ename/DAM/337/Victoria-Yeates1_Thumb.jpg | Victoria Yeates: | Victoria Yeates: 'After I had my daughter I wanted to do work that really inspired me' |
...ector-and-Choreographer-edited_Thumb.jpg | Dan Canham: ‘Dance is for ever | Dan Canham: ‘Dance is for everyone – whether they have trained or not’ |
...day-night-reading-at-the-club1_Thumb.jpg | The Club for Acts and Actors, 75 years on: London | The Club for Acts and Actors, 75 years on: London's hidden gem helping actors in need |
...M/336/Mark_Addy._Photo__Nobby_Clark1.jpg | Mark Addy: | Mark Addy: 'Another actor threw his tankard of ale over me. My wig had caught fire' |
...than-Powell-by-L1-Photography1_Thumb.jpg | Nathan Powell: ‘I have big dre | Nathan Powell: ‘I have big dreams for the future of Liverpool Everyman and Playhouse’ |
...ame/DAM/338/grey2-UTF-8Roger-Foss-31.jpg | Roger Foss | Roger Foss |
.../338/UTF-8From-our-archive-Week-18-1.jpg | Not clowning about – 30 years | Not clowning about – 30 years ago in The Stage |
...-Lowe-Credit-Ross-Ferguson1_Standard.jpg | Syrus Lowe | Syrus Lowe |
...Laura-Ford-Head-shot-Sarah-McDowell1.jpg | Laura Ford | Laura Ford |
...ustom/Sitename/DAM/283/show-1.jpg700.jpg | Jessica Talbot-Smith | Jessica Talbot-Smith |
.../DAM/282/QAMence-Marie-Astrid.jpg700.jpg | Marie-Astrid Mence | Marie-Astrid Mence |
...en-Uwawah---AKTA-Photography-1_Thumb.jpg | Temisanren Uwawah: | Temisanren Uwawah: 'It was surreal working with actors I'd grown up watching' |
...am-DSouza-Credit-Rafeeq-Elias1_Thumb.jpg | Graham D’Souza: | Graham D’Souza: 'Performing helped me overcome a stammer' |
...seph-Credit-James-Melia-edited_Thumb.jpg | Andrew Joseph: | Andrew Joseph: 'Show interest in people’s work – it's a two-way street' |
...erty-Credit-Ruth-Crafer-edited_Thumb.jpg | Mary Doherty: | Mary Doherty: 'Keep being creative even when there’s no goal – just because you love it' |
...ame/DAM/329/Stage-100-Web-headers161.jpg | The Stage 100 2025 | The Stage 100 2025 |
..._LargeLandscape_12t0jsr4mee7g1_Thumb.jpg | The Stage UK ticketing survey | The Stage UK ticketing survey 2024: breakdown in full |
..._TS_DEBUT_AWARDS_24_GROUP_4112_Thumb.jpg | The Stage Debut Awards 2024: m | The Stage Debut Awards 2024: meet our winners |
...e/DAM/187/SS-EP8_article-image_Thumb.jpg | Seven Stages Podcast: Episode | Seven Stages Podcast: Episode 8, Es Devlin |
...e/DAM/186/SS-EP7_article-image_Thumb.jpg | Seven Stages Podcast: Episode | Seven Stages Podcast: Episode 7, Paul Chahidi |
.../185/SevenStages_article-image_Thumb.jpg | Seven Stages Podcast: Episode | Seven Stages Podcast: Episode 6, Alan Ayckbourn |
...ustom/Sitename/DAM/337/web_DSC_93091.jpg | Access Industry: apprenticeshi | Access Industry: apprenticeships can help solve technical skills crisis |
...Rocket-Advertorial-lead-image1_Thumb.jpg | Rocket Storage Services: susta | Rocket Storage Services: sustainable solutions for unneeded sets |
...justment-rent-scaled-1024x6811_Thumb.jpg | Performers College: expand you | Performers College: expand your backstage skill set with BIMM course |
...s_need_bins_1080x1080_logo_011_Thumb.jpg | Boys Need Bins: how ATG Entert | Boys Need Bins: how ATG Entertainment is leading the way for inclusive theatre |
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H2 | Rosemary Squire: Being ousted from ATG almost led me to give up on theatre |
H2 | Rosemary Squire: Survival in theatre means being willing to reinvent |
H2 | Dear England among shows to tour for first time following 'game-changing' ACE grants |
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H2 | Tony Awards 2025: full list of nominations Duplicate text |
H2 | Spotlight names students from RADA and Mountview among acting prize finalists |
H2 | Panto honoured with new category at Critics’ Awards for Theatre in Scotland |
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H2 | Antonio Pappano named Royal Opera's first conductor laureate |
H2 | Brendan Gleeson to make West End debut in Conor McPherson's The Weir |
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H2 | Indhu Rubasingham: Focus on my career, not my identity |
H2 | Megan Prescott: Sex work can be far less exploitative than the entertainment industry |
H2 | Chris Stafford: Finding a corporate sponsor can be a minefield for arts venues |
H2 | Playwright Tanya Vital: Theatre is too fixated on physical venues |
H2 | Mrs Doubtfire to tour the UK and Ireland |
H2 | Indhu Rubasingham unveils inaugural National Theatre season |
H2 | Tony Awards 2025: full list of nominations Duplicate text |
H2 | Hiatus of plays by white men among Big Ideas at Future of Theatre conference |
H2 | Rosemary Squire: Being ousted from ATG almost led me to give up on theatre Duplicate text |
H2 | 'Devolved National Theatre' wins Future of Theatre Big Ideas vote Duplicate text |
H2 | Saville Theatre redevelopment granted planning permission |
H2 | Simon Friend Entertainment rebrands as Melting Pot |
H2 | SOLT boss: Theatres need clarity on Supreme Court ruling as soon as possible |
H2 | Rob Madge and Hannah Dodd to join West End cast of Cabaret |
H2 | Megan Prescott: Sex work can be far less exploitative than the entertainment industry Duplicate text |
H2 | Indhu Rubasingham unveils her first artistic associates at National Theatre |
H2 | Gary Oldman: Local theatres are vital to make the next generation of audiences |
H2 | Moulin Rouge! to offer backstage access outside London for the first time |
H2 | Krapp’s Last Tape review |
H2 | Scenes from a Repatriation review |
H2 | Dealer’s Choice at the Donmar Warehouse – review round-up |
H2 | My Master Builder starring Ewan McGregor – review round-up |
H2 | Krapp's Last Tape starring Gary Oldman – review round-up |
H2 | The Brightening Air starring Chris O'Dowd – review round-up |
H2 | Takeaway review |
H2 | Studio3: Alright Sunshine, FLEG and Fruitcake review |
H2 | Scenes from a Repatriation review Duplicate text |
H2 | Dealer’s Choice at the Donmar Warehouse – review round-up Duplicate text |
H2 | My Master Builder starring Ewan McGregor – review round-up Duplicate text |
H2 | Krapp's Last Tape starring Gary Oldman – review round-up Duplicate text |
H2 | The Brightening Air starring Chris O'Dowd – review round-up Duplicate text |
H2 | Muriel's Wedding the Musical review |
H2 | The Merry Widow review |
H2 | Sasha Waltz & Guests with London Sinfonietta: In C review |
H2 | Titus Andronicus review |
H2 | My Master Builder review |
H2 | Dealer's Choice review |
H2 | Restless Natives: The Musical review |
H2 | Krapp’s Last Tape review Duplicate text |
H2 | Producing theatres are about so much more than their shows |
H2 | Surprise me, please – theatre is losing originality in the era of adaptations |
H2 | You Me Bum Bum Train's Jeff Bezos visit and the ethical conflict of theatre volunteering |
H2 | Hamlet, April 30, 2025 |
H2 | Indhu Rubasingham's National Theatre is spreading its wings globally |
H2 | Hamlet, April 30, 2025 Duplicate text |
H2 | Stage entrance applause is not a new phenomenon – this week in your views |
H2 | Hull Truck's Mike Bradwell was a 'one-off' – this week in your views |
H2 | Surviving beyond Arts Council funding – this week in your views |
H2 | Arts Council is focused on wider ecology, not bricks – this week in your views |
H2 | Do awards make any difference to a theatre show's success? |
H2 | Do you misbehave at work? |
H2 | Acting – what part of the job do you enjoy the most? |
H2 | Broadway success for Gatsby doesn’t necessarily ensure financial stability |
H2 | Theatre maverick Mike Bradwell deserves more recognition |
H2 | Freelancers be warned: don’t be caught off guard by tax shake-up |
H2 | How will artistic freedom endure as political tides shift? |
H2 | The Future of Theatre conference is more necessary than ever |
H2 | Is there less lesbian representation in theatre than ever before? |
H2 | Shakespeare's legacy was not always as solid as it is now |
H2 | Work from other countries can break down barriers and broaden horizons |
H2 | Defying diversity: the veneer of inclusion |
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H2 | Rufus Norris Duplicate text |
H2 | Luke Thallon Duplicate text |
H2 | Francesca Moody |
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H2 | Jamie Wilson |
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H2 | Sutton Foster |
H2 | Carrie Hope Fletcher |
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H2 | Nancy Carroll |
H2 | Adam Cooper |
H2 | David Byrne Duplicate text |
H2 | Rufus Norris Duplicate text |
H2 | Edward Snape and Marilyn Eardley |
H2 | Luke Thallon Duplicate text |
H2 | Alistair Spalding and Britannia Morton |
H2 | David Byrne Duplicate text |
H2 | Rufus Norris Duplicate text |
H2 | Luke Thallon Duplicate text |
H2 | Jane Asher Duplicate text |
H2 | Erin Doherty Duplicate text |
H2 | Robert Icke Duplicate text |
H2 | Rufus Norris Duplicate text |
H2 | Luke Thallon Duplicate text |
H2 | Francesca Moody Duplicate text |
H2 | Antonio Pappano Duplicate text |
H2 | Jamie Wilson Duplicate text |
H2 | Simon Russell Beale Duplicate text |
H2 | Elizabeth McGovern Duplicate text |
H2 | Sutton Foster Duplicate text |
H2 | Carrie Hope Fletcher Duplicate text |
H2 | Julian Bird Duplicate text |
H2 | Nancy Carroll Duplicate text |
H2 | Adam Cooper Duplicate text |
H2 | A day in the life of... community engagement: Cardboard Citizens |
H2 | ‘They gave me carte blanche’: the theatre directors going beyond the UK to work |
H2 | Soho Theatre Walthamstow: first look at London’s newest venue Duplicate text |
H2 | Four nations, 20 shows: what did I learn about the state of UK theatre today? |
H2 | Curating a theatre season: ‘It takes plenty of sweat and tears’ |
H2 | A day in the life of... community engagement: Cardboard Citizens Duplicate text |
H2 | ‘They gave me carte blanche’: the theatre directors going beyond the UK to work Duplicate text |
H2 | Four nations, 20 shows: what did I learn about the state of UK theatre today? Duplicate text |
H2 | Curating a theatre season: ‘It takes plenty of sweat and tears’ Duplicate text |
H2 | Sustainable Stages: How can theatre respond to the planetary emergency? |
H2 | Two Destination Language: ‘As a company, we’ve always been interested in difference’ |
H2 | Steven Webb on his seven-year Book of Mormon stint and navigating post-lockdown audiences |
H2 | Kate Fleetwood: Touring is so important for young actors |
H2 | My favourite play: Ian McKellen |
H2 | Victoria Yeates: 'After I had my daughter I wanted to do work that really inspired me' |
H2 | Dan Canham: ‘Dance is for everyone – whether they have trained or not’ |
H2 | The Club for Acts and Actors, 75 years on: London's hidden gem helping actors in need |
H2 | Mark Addy: 'Another actor threw his tankard of ale over me. My wig had caught fire' |
H2 | Nathan Powell: ‘I have big dreams for the future of Liverpool Everyman and Playhouse’ |
H2 | Roger Foss |
H2 | Not clowning about – 30 years ago in The Stage |
H2 | Syrus Lowe |
H2 | Laura Ford |
H2 | Jessica Talbot-Smith |
H2 | Marie-Astrid Mence |
H2 | Temisanren Uwawah: 'It was surreal working with actors I'd grown up watching' |
H2 | Graham D’Souza: 'Performing helped me overcome a stammer' |
H2 | Andrew Joseph: 'Show interest in people’s work – it's a two-way street' |
H2 | Mary Doherty: 'Keep being creative even when there’s no goal – just because you love it' |
H2 | The Stage 100 2025 |
H2 | The Stage UK ticketing survey 2024: breakdown in full |
H2 | The Stage Debut Awards 2024: meet our winners |
H2 | Seven Stages Podcast: Episode 8, Es Devlin |
H2 | Seven Stages Podcast: Episode 7, Paul Chahidi |
H2 | Seven Stages Podcast: Episode 6, Alan Ayckbourn |
H2 | Access Industry: apprenticeships can help solve technical skills crisis |
H2 | Rocket Storage Services: sustainable solutions for unneeded sets |
H2 | Performers College: expand your backstage skill set with BIMM course |
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So we can serve you tailored ads and promotions
(Nice to have)