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H2 | Top stories |
H2 | Screen’s Global Production Awards reveal 2025 winners in Cannes |
H2 | Which films are in the running for the 2025 Venice Film Festival? |
H2 | ‘Alpha’ review: Julia Ducournau's ‘Titane’ follow-up is set against a mysterious French plague |
H2 | ‘Highest 2 Lowest’ review: Spike Lee reteams with Denzel Washington for ambitious crime thriller |
H2 | ‘Eagles Of The Republic’ review: Tarik Saleh reunites with Fares Fares to end his Cairo trilogy |
H2 | Screen’s Global Production Awards reveal 2025 winners in Cannes Duplicate text |
H2 | Which films are in the running for the 2025 Venice Film Festival? Duplicate text |
H2 | ‘Alpha’ review: Julia Ducournau's ‘Titane’ follow-up is set against a mysterious French plague Duplicate text |
H2 | ‘Highest 2 Lowest’ review: Spike Lee reteams with Denzel Washington for ambitious crime thriller Duplicate text |
H2 | ‘Eagles Of The Republic’ review: Tarik Saleh reunites with Fares Fares to end his Cairo trilogy Duplicate text |
H2 | Must Read |
H2 | Spike Lee presents Denzel Washington with surprise honorary Palme d’Or in Cannes |
H2 | Cannes Close-Up: Dominik Moll and Léa Drucker on ‘Case 137’ and the yellow vest protests |
H2 | ‘Final Destination: Bloodlines’ scores $102m at global box office; ‘The Salt Path’ delivers in first markets |
H2 | Cannes Film Festival 2025: red carpet photos - updating |
H2 | ‘Splitsville’ producers Watch This Ready talk Cannes comedy as sales close |
H2 | Cannes Palm Dog readies four-legged frenzy for 25th anniversary |
H2 | Nikolaj Coster-Waldau among cast of Ole Christian Madsen’s ‘Men With Problems’ |
H2 | Busan festival director Jung Hanseok talks plans for landmark edition and “generational shift” |
H2 | “I completely froze, and just burst into tears”: Six first-time feature producers on scoring a Cannes premiere |
H2 | Latest news |
H2 | Ketchup Entertainment gets ‘Misdirection’ for North America |
H2 | Ventana Sur - Rio de la Plata dates 2025 Buenos Aires edition |
H2 | ‘Mission: Impossible – The Final Reckoning’ breaks records on South Korea opening |
H2 | Garden Studios to support independent films with co-production fund |
H2 | Dag Johan Haugerud to head Venice’s Giornate degli Autori jury |
H2 | True Colours boards Susanna Nicchiarelli’s graphic novel adaptation ‘Giorni Felici’ |
H2 | Doha Film Institute Qumra Special 2025 |
H2 | Marie Kreutzer’s ‘Gentle Monster’ wins Marche Investors Circle prize |
H2 | 2025 film festivals and markets calendar: latest dates |
H2 | UK-Ireland film cinema release dates: latest updates for 2025 |
H2 | Reviews |
H2 | ‘Splitsville’ review: Dakota Johnson and Adria Arjona play love rivals in partner-swap comedy |
H2 | ‘A Poet’ review: A failed Colombian poet mentors a promising young talent |
H2 | ‘Once Upon A Time In Gaza’ review: Satirical, resonant follow-up to ‘Gaza Mon Amour’ |
H2 | ‘The Richest Woman In The World’ review: Isabelle Huppert drama plays on a notorious real life L’Oréal heir |
H2 | ‘Sleepless City’ review: Coming-of-age drama set in Europe’s largest shanty town in Spain |
H2 | ‘Exit 8’ review: Tokyo’s subway is an endless purgatory in ‘ingenious’ video game adaptation |
H2 | ‘The Love That Remains’ review: Follow-up to ‘Godland’ is a tender breakup drama |
H2 | ‘Mama’ review: A Polish domestic worker has a difficult return home from Israel |
H2 | ‘My Father’s Shadow’ review: Sope Dirisu stars in this electric debut set in 1990s Nigeria |
H2 | Features |
H2 | Global Production Awards 2025 winners: Special Recognition |
H2 | Global Production Awards 2025 winners: Sustainable Production - TV |
H2 | Global Production Awards 2025 winners: Virtual Production Innovation |
H2 | More stories |
H2 | Saudi Film Commission unveils new studio complex to open in Riyadh |
H2 | 2025 film and high-end TV productions shooting in the UK and Ireland: latest updates |
H2 | Warner Bros names Sirena Liu theatrical general manager for China |
H2 | ‘Detective Chinatown’ director Chen Sicheng readies ‘Sherlock Of China’ |
H2 | US deal closes on BFI Flare selection ‘A Few Feet Away’ |
H2 | Colm Bairéad’s ‘Mary Rose’ among recipients of Flanders support |
H2 | Theatrical deals glow for ‘Agatha’s Almanac’ doc about life and gardening |
H2 | Jacques Bidou to produce gay Indian drama ‘Dengue’ |
H2 | Agnieszka Holland among jury for Georgia’s Eliso film awards |
H2 | Think-Film Impact Production marks 10th anniversary with busy Cannes schedule |
H2 | UK In Focus |
H2 | Future-proofing the UK’s studio sector: why investing in sustainability brings "commercial advantages" |
H2 | Stars of Tomorrow |
H2 | Screen reveals 2024 UK & Ireland Stars of Tomorrow |
H2 | In pictures: British Film Commission roundtable explores co-pro strategies |
H2 | In pictures: Milky Way presents ‘The Vampyre’ at Cannes |
H2 | Watch: Doha Film Festival 2025 unveiled |
H2 | In pictures: Japan Night at Cannes Film Festival |
H2 | In pictures: Future of financing roundtable with Centtrip, Screen International |
H2 | Co-founder Desley Gregory returns to Joy Films with company set for new chapter of growth and innovation |
H2 | David Puttnam, University of Exeter and Screen International team-up for pioneering film business courses |
H2 | In pictures: Saudi Arabia’s Cultural Development Fund Cannes roundtable and networking reception |
H2 | Hungary unveils restoration of István Szabó’s 1999 classic ‘Sunshine’ at Cannes |
H2 | Latest Video |
H2 | First trailer for Benny Safdie’s ‘The Smashing Machine’ |
H2 | Need more from Screen? |
H3 | Subscribe to Screen International |
H3 | First trailer for Benny Safdie’s ‘The Smashing Machine’ Duplicate text |
H3 | First trailer for Wes Anderson’s ‘The Phoenician Scheme’ |
H3 | ‘The Dialogue Police’: first international trailer for free speech activism doc (exclusive) |
H3 | ‘Spacewoman’: first trailer for documentary about pioneer NASA astronaut Eileen Collins (exclusive) |
H3 | ‘Girls On Wire’: first trailer for Vivian Qu’s Berlinale Competition title (exclusive) |
H3 | ‘The Settlement’: first trailer for Mohamed Rashad’s Berlin Perspectives title (exclusive) |
H3 | Subscribe to Screen International Duplicate text |
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