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/recording/music-production/ri... | Subdomain | IMG-ALT Ringo at work. Photo: Brent Carpenter. |
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/recording/music-production/ri... | Subdomain | Ringo Starr—Inside the Making of “Look Up,” Part 3 |
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/blog/mix-live-blog-freddie-me... | Subdomain | Mix Live Blog: Freddie Mercury and a Night to Remember |
/post-and-broadcast/sony-pictu... | Subdomain | IMG-ALT The new ADR3 control room features a 24-fader Avid S6 console, Avid MTRX II I/O, and BSS BLU for routing and switching. Photo: Eric Dye. |
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/post-and-broadcast/sony-pictu... | Subdomain | Sony Pictures Rethinks Workflow with ADR 3 Revamp |
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/recording/music-production/da... | Subdomain | IMG-ALT Ghost’s latest album, Skeletá, was mixed by Dan Malsch on a console he had never used before. |
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/recording/music-production/br... | Subdomain | IMG-ALT From left: David Kershenbaum, Tracy Chapman and mastering engineer Bernie Grundman at Bernie Grundman Mastering. |
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/recording/music-production/br... | Subdomain | Bringing Tracy Chapman’s “Fast Car” to Vinyl |
/business/inside-mix-nashville... | Subdomain | IMG-ALT First-time sponsor Wolff Audio brought a console, MeMore cue stations and other technologies to the 7.1.4 mix room of David Kalmusky and Addiction Sound. Pho... |
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